Approved: 16.08.2006

Alison J Carr

Artist, Lecturer / academic, Researcher, Writer

Approved: 16.08.2006

My work weaves together audio, texts, archival and found materials with photographs and performances to interrogate the slippery multi-faceted performance of femininity. Through revealing the hidden mechanisms and staged moments, I want to bring to light the layers of identity informed by social interaction and contexts, the contradictions in physical bodily display and the divergent techniques of hiding in plain sight—being the dazzling spectacle in the spotlight.

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Merchandise

     

    Artist Statement

    My work weaves together audio, texts, archival and found materials with photographs and performances to interrogate the slippery multi-faceted performance of femininity. Through revealing the hidden mechanisms and staged moments, I want to bring to light the layers of identity informed by social interaction and contexts, the contradictions in physical bodily display and the divergent techniques of hiding in plain sight—being the dazzling spectacle in the spotlight.

    I prise open these spotlight moments in my work by drawing attention to the crafting of identity through entertainment. I do this through a process of bringing in expert voices, building unlikely relationships with retired chorus girls, current showgirls and contrary performers, who play along with me, committing to a period of embarrassed rehearsals and ritual humiliation through public performance.

    I am interested in the labour of the performance, the vulnerability of the body, loneliness and lack of talent. I often step into these awkward moments, implicating myself and the viewer; dancing non-stop to the threshold of painful exhaustion; singing sincerely but imperfectly in a crowded room. I aim to capture a certain irreverence, absurdity tinged with melancholy, foolishness, pleasure—all these layers of live performance, all at the same time.

    The long exposures of my photographs of theatre interiors reflect aspiration, opulence and dust. The façade and the real. The reality of construction. These resonant and atmospheric spaces are haunted with the trials of optimism and human endeavour, of putting on a show.

     

    CV & Education

    Qualifications and training 2013 - Practice Led PhD, Sheffield Hallam University, Sheffield 2009 - MFA Photography & Media, California Institute of the Arts, California, USA 2001 - BA Hons Fine Art, Combined & Media Art, Sheffield Hallam University Solo exhibitions 2012 - Showtime, with Kerstin Honeit, SIA Gallery, Cantor Building, Sheffield Hallam University, 153 Arundel Street Sheffield S1 2NU 2011 - Showtime, with Kerstin Honeit, LoBe, Berlin 2009 - Woman As Image, California Institute of the Arts, Valencia, California 2008 - Wish You Were Here, Real Photographs, Series of Nine, California Institute of the Arts, Valencia, California Group exhibitions 2011 - Last Requests, Assembly / Bloc Projects, Sheffield 2009 - GLAMFA 09, Greater Los Angeles MFA, California State University, Long Beach, Long Beach 2009 - MFA Conversations Part II, I5 Gallery at The Brewery Art Colony, Los Angeles 2009 - Why Theory, CalArts MFA Grad Show / Spring Arts Tower, Downtown Los Angeles 2007 - Deja Vu, Blocspace, Sheffield 2006 - Paint It Black , Cupola Gallery, Sheffield 2005 - S1 Artspace Member's Show, S1 Artspace, Sheffield Live/Performance 2006 - Just For Fun, Webster Gotts & Robin Close, Sheffield Residencies 2011 - LoBe London Berlin Art Kunst , LoBe, Berlin 2010 - Terra Summer Residency, Terra, Giverny Educational experience - secondary 2008 - Community Arts Partnership, California Institute of the Arts, Valencia, California Educational experience - tertiary 2008 - Teaching Assistant for Ellen Birrell & David Bunn, California Institute of the Arts, Valencia, California Other 2012 - Tegel Flights of Fancy, Screening, Bablyon Cinema, Berlin